About Artist 박신영은 여러 지역을 이동하며 경험한 낯선 환경의 사회 문화적 특성을 주관적 기록으로 재구성한다. 그는 주로 인간과 동물, 문명과 자연, 현실과 상상의 경계를 살피고 각자가 발 디딘 시공 너머에서 벌어지는 사건을 새롭게 조망하도록 이끈다. 다양한 장소에서 수집한 파편들은 종이, 나무, 스테인드글라스 같은 다양한 매체를 활용한 판화, 드로잉, 입체로 기록된다. 또한 동시대를 살아가며 경험한 공시적, 통시적 감각의 한계는 그로 하여금 자신이 위치한 시공을 넘어서 벌어지는 무수한 사건들을 새롭게 바라보도록 한다. 그의 화면은 현대 문명이 거세해 온 감각들과 자연과학적 설명에 의해 소거된 본능들을 소환하며 비밀스러운 이야기를 담은 상징물이 되어 관객에게 도달한다.
Shinyoung Park reconstructs the sociocultural characteristics of unfamiliar environments encountered while traveling across different regions into subjective records. Park often explores the boundaries between humans and animals, civilization and nature, reality and imagination—inviting viewers to reconsider events unfolding beyond the spatiotemporal positions they inhabit. Fragments collected from various places are recorded through printmaking, drawing, and sculptural works using materials such as paper, wood, and stained glass. In addition, the limitations of synchronic and diachronic senses experienced in contemporary life let her take a fresh look at the myriad events that occur beyond her own space and time. Ultimately, her works summon senses erased by modern civilization and natural science, and become symbols with secret stories.
박신영 Shinyoung park, 당신은 말의 마음을 모른다 You Cannot Know the Mind of Horses, 2018, ink, screenprint, woodburning, woodcut and oil paint on Birchwood,185 x 192 cm박신영 Shinyoung Park, 잃어버린 봄을 기다리며 Waiting for the Lost Spring, 2024, screenprint monotype on Legion stonehenge paper 245gsm, 44.7 x 35.1 cm박신영 Shinyoung Park, 영원을 향한 겨냥 Aiming for Eternity, 2024, screenprint monotype on Legion stonehenge paper 245gsm, 35.2 x 47.2 cm박신영 Shinyoung Park, 청포도를 낳는 거미 The Spider Laying White Grapes, 2024, screenprint monotype on Legion stonehenge paper 245gsm, 41.8 x 33 cm박신영 Shinyoung Park, 이카루스의 추락 The Fall of Icarus, 2024, screenprint monotype on Legion stonehenge paper 245gsm, 44.3 x 34.8 cm박신영 Shinyoung Park, 부활의 연금술 Alchemy for Rebirth, 2024, hologram foiling and screenprint monotype on Legion stonehenge paper 245gsm, 44.5 x 35 cm박신영 Shinyoung Park, 나비들이 지는 밤 Butterflies Falling into the Night, 2024, screenprint monotype on Legion stonehenge paper 245gsm, 34.3 x 43.5 cm박신영 Shinyoung park, 알카자바 성의 밤 The Night At Alcazava Castle, 2017, ink, wine on paper, 28.9 x 20.4 cm박신영 Shinyoung park, 창문 너머로 Through The Window, 2017, ink, watercolor, wine on paper, 28.9 x 20.4 cm박신영 Shinyoung park, 론다의 절벽 The Cliff In Londa, 2017,ink, watercolor, wine on paper, 28.9 x 20.4 cm박신영 Shinyoung park, 우는 마리아 Crying Maria, 2017, ink, watercolor, wine on paper, 28.9 x 20.4 cm박신영 Shinyoung park, 장난감 파는 소녀들 Selling Toys, 2017, ink, watercolor, wine on paper, 20.4 x 28.9 cm박신영 Shinyoung park, 플라멩고를 기다리는 아이들 Waiting For Flamenco, 2017, ink, wine on paper, 20.4 x 28.9 cm박신영 Shinyoung park, 오렌지 가발을 쓴 소녀들 The Girls Wearing Orange WIgs, 2017, highlighter, ink, watercolor, wine on paper, 20.4 x 28.9 cm박신영 Shinyoung park, 집시의 방 The Gipsy’s Room, 2017, ink, watercolor, wine on paper, 20.4 x 28.9 cm박신영 Shinyoung park, 노을의 들판 A Field Of Sunset, 2017, ink, watercolor, wine on paper, 20.4 x 28.9 cm 박신영 Shinyoung park, 바닷가에서 Near The Sea, 2017, ink, watercolor, wine on paper, 20.4 x 28.9 cm 박신영 Shinyoung Park, Balloon Blowing, 2020, aqua powder, screenprint monotype on paper, 38 x 28.5 cm박신영 Shinyoung Park, 백파이프 연주자들 The Bagpipe Players, 2020, screenprint monotype on paper, 38 x 28.5 cm박신영 Shinyoung Park, The Cycle, 2018, monotype on paper(somerset satin 300gsm), 46.6 x 64.6 cm박신영 Shinyoung Park, At the Night, 2018, monotype on paper(somerset satin 300gsm), 46.6 x 64.6 cm박신영 Shinyoung Park, A Fungus and a Dead Blue Bird, 2018, monotype on paper(somerset satin 300gsm), 64.6 x 46.6 cm박신영 Shinyoung Park, 문어와 눈사람 The Snowman with an Octopus, 2018, monotype on paper(somerset satin 300gsm), 64.6 x 46.6 cm박신영 Shinyoung Park, Hold Your Hobbyhorse, 2021, screenprint, woodburning, woodcut, and oil paint on birchwood, 180 x 120 cm박신영 Shinyoung Park, 구름을 꿰는 사람 Weaving a cloud, 2019, ink and wine on paper, 75.7 x 57 cm박신영 Shinyoung Park, 석양에서 새벽까지 From Sunset to Dawn, ink and wine on paper, 37.9 x 28.7 cm박신영 Shinyoung Park, 박쥐와 무지개 Bats on the rainbow, 2019, aqua powder, ink, and wine on paper, 37.9 x 28.7 cm 박신영 Shinyoung Park, The Lady with A Tree, 2019, ink and wine on paper, 29.5 × 20.5 cm박신영 Shinyoung Park, On the Rope, 2019, ink, watercolor and wine on paper, 29.5 × 20.5 cm박신영 Shinyoung Park, The Tacit Wariness, 2019, highlighter, ink, watercolor and wine on paper, 20.5 × 29.5 cm박신영 Shinyoung Park, 노을이 내려앉은 자리 Glow of the Setting Sun, 2019, ink and wine on paper, 20.5 × 29.5 cmShinyoung Park, Faces in the Water, 2019, highlighter, ink, and wine on paper, 20.5 × 29.5 cmShinyoung Park, The Street Performers, 2019, ink and wine on paper, 20.5 × 29.5 cm
Exhibitions
Shinyoung Park, 《Everything Returns to Desert》, 2025, ThisWeekendRoomCarlo D’Anselmi, Maxim Brandt, Shinyoung Park, 《Oscillate Sequence》, 2024, ThisWeekendRoomSangwon Kwak, Shinyoung Park,《Far in My Mirror》, 2021, ThisWeekendRoom